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A Popular History of the Art of Music

A Popular History of the Art of Music

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Number of Chapters: 40

Length: 14 hours and 49 minutes

Language: English

Preface by W.S.B. Mathews: I have here endeavored to provide a readable account of the entire history of the art of music, within the compass of a single small volume, and to treat the luxuriant and many-sided later development with the particularity proportionate to its importance, and the greater interest appertaining to it from its proximity to the times of the reader.

The range of the work can be most easily estimated from the Table of Contents (pages 5-10). It will be seen that I have attempted to cover the same extent of history, in treating of which the standard musical histories of Naumann, Ambros, Fétis and others have employed from three times to ten times as much space. In the nature of the case there will be differences of opinion among competent judges concerning my success in this difficult undertaking. Upon this point I can only plead absolute sincerity of purpose, and a certain familiarity with the ground to be covered, due to having treated it in my lectures in the Chicago Musical College for five years, to the extent of about thirty-five lectures yearly. I have made free use of all the standard histories—those of Fétis, Ambros, Naumann, Brendel, Gevaert, Hawkins, Burney, the writings of Dr. Hugo Riemann, Dr. Ritter, Prof. Fillmore, and the dictionaries of Grove and Mendel, as well as many monographs in all the leading modern languages.

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00 - PREFACE AND INTRODUCTION (Tony Oliva)
01 - MUSIC AMONG THE ANCIENT EGYPTIANS (Tony Oliva)
02 - MUSIC AMONG THE HEBREWS AND ASSYRIANS. (Tony Oliva)
03 - MUSIC AMONG THE ANCIENT GREEKS. (Tony Oliva)
04 - MUSIC IN INDIA, CHINA AND JAPAN. (Tony Oliva)
05 - THE NATURE OF THE TRANSFORMATION, AND THE AGENCIES EFFECTING IT. (Tony Oliva)
06 - THE MINSTRELS OF THE NORTH. (Tony Oliva)
07 -THE ARABS OR SARACENS. (Tony Oliva)
08 - ORIGIN OF THE GREAT FRENCH EPICS. (Tony Oliva)
09 - THE TROUBADOURS, TROUVÈRES AND MINNESINGERS. (Tony Oliva)
10 - THE INFLUENCE OF THE CHRISTIAN CHURCH. (Tony Oliva)
11 - THE DIDACTIC OF MUSIC FROM THE FIFTH CENTURY TO THE FOURTEENTH. (Tony Oliva)
12 - THE RISE OF POLYPHONY. OLD FRENCH AND GALLO-BELGIC SCHOOLS. (Tony Oliva)
13 - THE SCHOOLS OF THE NETHERLANDS. (Tony Oliva)
14 - POLYPHONIC SCHOOLS OF ITALY. PALESTRINA. (Tony Oliva)
15 - THE CHANGES IN MUSICAL NOTATION. (Tony Oliva)
16 - MUSICAL INSTRUMENTS. THE VIOLIN, ORGAN, ETC. (Tony Oliva)
17 - CONDITION OF MUSIC AT THE BEGINNING OF THE SEVENTEENTH CENTURY. (Tony Oliva)
18 - FIRST CENTURY OF ITALIAN OPERA AND DRAMATIC SONG. (Tony Oliva)
19 - BEGINNINGS OF OPERA IN FRANCE AND GERMANY. (Tony Oliva)
20 - THE PROGRESS OF ORATORIO. (Tony Oliva)
21 - BEGINNINGS OF INSTRUMENTAL MUSIC. (Tony Oliva)
22 - GENERAL VIEW OF MUSIC IN THE EIGHTEENTH CENTURY. (Tony Oliva)
23 - JOHN SEBASTIAN BACH. (Tony Oliva)
24 - GEO. FREDERICK HÄNDEL. (Tony Oliva)
25 - EMANUEL BACH; HAYDN; THE SONATA. (Tony Oliva)
26 - MOZART AND HIS GENIUS. (Tony Oliva)
27 - BEETHOVEN AND HIS WORKS. (Tony Oliva)
28 - HAYDN, MOZART AND BEETHOVEN COMPARED. (Tony Oliva)
29 - OPERA IN THE EIGHTEENTH CENTURY. (Tony Oliva)
30 - PIANO PLAYING AND VIRTUOSI; THE VIOLIN; TARTINI AND SPOHR. (Tony Oliva)
31 - THE NINETEENTH CENTURY, THE ROMANTIC; MUSIC OF THE FUTURE. (Tony Oliva)
32 - SCHUBERT AND THE ROMANTIC. (Tony Oliva)
33 - THE STORY OF THE PIANOFORTE. (Tony Oliva)
34 - GERMAN OPERA; WEBER, MEYERBEER AND WAGNER. (Tony Oliva)
35 - VIRTUOSITY IN THE NINETEENTH CENTURY; PAGANINI; BERLIOZ; CHOPIN; LISZT. (Tony Oliva)
36 - MENDELSSOHN AND SCHUMANN. (Tony Oliva)
37 - ITALIAN OPERA DURING THE NINETEENTH CENTURY. (Tony Oliva)
38 - FRENCH OPERATIC COMPOSERS OF THE NINETEENTH CENTURY. (Tony Oliva)
39 - LATER COMPOSERS AND PERFORMERS. (Tony Oliva)
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